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Joss Whedon returns to write and direct the follow-up to the ultra successful Avengers film. The picture completes Marvel Studios' Phase 2 films, which includes Thor: The Dark World, Captain America: Winter Soldier, Edgar Wright's Ant-Man, and Guardians of the Galaxy. When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth's Mightiest Heroes, including Iron Man, Captain America, Thor, The Incredible Hulk, Black Widow and Hawkeye, are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for a global adventure
About The Avengers: Age Of Ultron
Artist : Hayley Atwell, Scarlett Johansson, Chris Hemsworth, Aaron Taylor-Johnson, Chris Evans, Idris Elba, Tom Hiddleston, Jeremy Renner, Cobie Smulders, Elizabeth Olsen, Mark RuffaloAs : Peggy Carter, Natasha Romanoff, Black Widow, Thor, Pietro Maximoff, Quicksilver, Steve Rogers, Captain America, Heimdall
Title : The Avengers: Age Of Ultron Cinepolis
Release date : 2015-05-01
Movie Code : 2395427
Duration : 160
Category : Action, Adventure, Fantasy
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By making the Avengers snarky rivals as well as brothers and sisters in arms, franchise Big Brain Joss Whedon injects exactly what such a noisy spectacle needs: a dollop of charm.
Whedon gets the elastic physical reality of comic books, and he knows how to frame a shot as though it were a splash panel come to life. But by the fifth digital showdown, the endless CGI spectacle begins to feel a little numbing.
The movie guarantees fast-paced fun without forcing anyone to think about what it all means, which is nothing.
This is a movie that knows and deeply loves its audience, but it's funny, smart and good-natured enough to please the rest of us, too.
Avengers: Age of Ultron succeeds in the top priority of creating a worthy opponent for its superheroes and giving the latter a few new things to do, but this time the action scenes don't always measure up .
This is as close as cinema gets to a fairground ride: it's shiny, noisy and exhilarating.
If you're not much of a Marvel Comics person but just want to get an early start on your mindless summer moviegoing, well, I guess this picture is no stupider than anything else.
The thing's a behemoth. And as the franchise thunders on, it's also becoming more and more a bore.
You don't need to be a "comic-book person" to find the set pieces exhilarating. But if you are such a person, or a fan of the movies that comic books turn into, "The Avengers" feels like the moment you've been waiting for.
Marvel movie die-hards will come away having found nuggets of pleasure, but those who complain about superhero sagas will find plenty to support their arguments here.
It feels as if this comic book franchise has become a never-ending cinema story. If future films are as well realized as Ultron, that's fine by me.
First, you try to understand what the hell is going on. Then you slowly realize that you will never understand what is going on. And, last, you wind up with the distinct impression that, if there was anything to understand, it wasn't worth the sweat.
More does not necessarily equal better; here, more is just . meh.
Fans of the franchise will be pleased, but those looking in from the outside of comic-book culture may find themselves also looking at their watches.
Writer-director Joss Whedon attempts to inject just enough human drama into these noisy proceedings to keep it from turning into a Transformers-style crashathon.
Its primary purpose is not to explore or subvert the superhero movie, but to lay the groundwork for more of them.
"The Avengers" is both a culminator and a set-up for more, more, more.
Whedon's investment in building this world is so complete that it captures the audience, as well.
"Avengers: Age of Ultron" is supercharged and lifeless, frenetic and stone-cold dead, a barrage of action scenes that look fake, yet make you wonder if fake is the new real.
Lovable characters, just the right amount of humor and spectacular action make "Ultron" a worthy bridge to whatever happens next in The Avengers' universe.
Age of Ultron is all rush and sensation with little substance. But what a feeling.
The Avengers kicks ass.
World-saving is no longer a surprise to these characters. It's work. Grunt work. For them. For us.
This movie is fine, honestly. I rather liked it.
Whedon pulls off a stunning feat in bringing balance to this superhuman circus, engineered to charm the geek core and non-fans alike.
Joss Whedon shows his considerable gifts for multicharacter air traffic control in a massive 3-D spectacle while demonstrating reserves of insouciance.
The dialogue sparkles as brightly as the special effects; these people may be wearing ridiculous costumes but they're well fleshed-out underneath. And so in every regard, this movie truly fulfills its hype.
Whedon is the key reason why this $220-million behemoth of a movie is smartly thought out and executed with verve and precision. It may be overly long at two hours, 23 minutes, but so much is going on you might not even notice.
One of the great joys of Marvel's The Avengers is its sense of humor about itself.
Every now and then, director Joss Whedon executes a quirky camera set-up to assert that the film was created by him and not a team of marketing executives.
Even those who don't know a Marvel hero from a DC caped crusader will find themselves having a grand time. That's because Whedon manages to tap the inner fanboy and fangirl dormant in us all.
Comic-Con nerds will have multiple orgasms. I had a blast.
"Avengers: Age of Ultron" is a sometimes daffy, occasionally baffling, surprisingly touching and even romantic adventure with one kinetic thrill after another. It earns a place of high ranking in the Marvel Universe.
This mega-entertaining "Avengers" film is something comic fans have dreamed of since Marvel debuted the title almost 50 years ago.
This film is stylish, intelligent and, one hopes, influential on the next generation of superhero movies; it should leave a lasting legacy.
Whedon, the pop savant responsible for TV's Buffy the Vampire Slayer, straddles the line between sarcastic gab and pulp solemnity like Eli Manning on a fourth-down, go-it-alone jag.
The banter has zip, the effects are fun, the climactic battle is decently spectacular, and if the 3-D is mostly expendable, there are a few scenes where it adds a nice kick.
"Age of Ultron" has self-aware laughs, grandiose themes and the best effects that money can buy. But at this point, it will take true vision to plot the umpteen sequels without getting trapped in a time loop.
"Avengers: Age of Ultron" is a kinetic, wicked mix of muscle and magic. Look no further if you want a world of superpowered freaks and geeks.
Entertaining as much of "Avengers 2" is, especially when it's just hanging out with the gang in between scuffles (the "Guardians of the Galaxy" lesson, learned), Whedon's picture meets expectations without exceeding them.
'The Avengers" is neither overwhelming nor underwhelming. What it expertly is, is whelming.
As he did in the first "Avengers," writer-director Joss Whedon avoids the fatal trap of comic-book self-seriousness, leavening a baggy, busy, overpopulated story with zippy one-liners, quippy asides and an overarching tone of jaunty good fun.
A slow start, a single star performance surrounded by indifferent acting and an onslaught of computer effects that range from seen-it-all-in-"Transformers" to a whole sky full of spectacular stuff in the midtown Manhattan climax.
If you are a Marvel fan, then The Avengers will feel like Christmas. Thanks to the merry doings of the director, Joss Whedon, all your favorite characters are here, as shiny and as tempting as presents under the tree.
Age of Ultron disappoints not because it's irredeemably bad but because it fails to achieve the level of its predecessor in nearly every facet.
The climactic act of "Age of Ultron" is full of colossal ka-booms and special effects, but it also has heft and reason and a bass-note of emotion.
A saga guaranteed to pass muster with the Comic-Con cognoscenti, without forsaking regular popcorn munchers who just hope to see the planet get saved with maximum firepower and a few laughs.
Sure, this is the A Team of comic book superstars, but overextended sequences don't make them any more impressive.
Never underestimate the entertainment value of the Hulk Smash.
Whedon, a pop-genre magician best known for Buffy the Vampire Slayer, is a master of viewer manipulation - because he never gives up his own seat in the crowd.
As before, the greatest fun is in watching the original Avengers, all fine actors who've made the characters their own.
The best thing about The Avengers, a multi-tentpole blockbuster that gathers half a dozen Marvel superheroes and unfurls them on a baddie from another planet, is that it also unleashes them on each other.
The film is good enough to keep all the Marvel Comics crazed audiences out there deliriously happy while keeping the rest of us earthbound types in moderate thralldom.
Really, who cares about another battle? We know how this is going to end.
For the most part, "Avengers: Age of Ultron" is the hard-charging, mind-boggling spectacle fans are looking for. Smash indeed.
Whedon gets the vibe and the delights of Marvel comic books in the same way that Spielberg and Lucas intuitively understood the appeal of serials in Raiders of the Lost Ark.
It is, in short, more disposable than the mere mortal blockbusters it was designed to outpace. This should defy Marvel Studios mathematics. How can a movie with more stuff than its predecessors be less fun?
After years of buildup, it's a reward to patient audiences who've been waiting for this team-up for years.
The light, amusing bits cannot overcome the grinding, hectic emptiness, the bloated cynicism that is less a shortcoming of this particular film than a feature of the genre.
Ultimately, it all comes back to Whedon: His clear vision for each character and how they might be profitably intermingled; his unexpected knack for action choreography; his funny, tender, immaculately constructed script.
Whedon takes a few wrong turns, creating a jumble when the action gets too thick. But he recovers like a pro, devising a spectacle that's epic in every sense of the word.
The film is a work of craft, from the actors like Mr. Downey, who can deliver a comic line with the timing of a mouse trap, to the editors, Jeffrey Ford and Lisa Lassek, upon whom so much of the movie's very elegant fluidity rests .
Whedon knows how to be self-aware without getting overly cute about it. He has fun highlighting each character's neurosis and knows which personalities clash to greatest effect.
There's great entertainment in "The Avengers" - big bold, action-filled silliness with just enough human spirit to sell itself. This is a comic book movie done right.
There is much to like about "The Avengers: Age of Ultron." There was much to love about "The Avengers," and therein lies the difference.
Audiences have been eagerly anticipating this first all-hero extravaganza for years. The wait was worth it.
To watch another comic book transformed into another blockbuster is to "marvel" at much and to feel nothing - that's a safer bet than the converse, perhaps, which may explain the genre's popularity.
"The Avengers" is done well by Joss Whedon, with style and energy. It provides its fans with exactly what they desire.
Age of Ultron, then, shows what happens when an unstoppable force (Joss Whedon's imagination) meets an immovable object (the Disney/Marvel behemoth).
It's a first-class production all around, from the acting to the 3-D special effects to the touches of wit throughout. It delivers, in grand style, the thing we demand most from a comic-book movie: fun.
I walked out of the theater feeling like the survivor of an all-you-can-eat buffet.
Like the first one, Avengers: Age of Ultron was written and directed by Joss Whedon, among whose many virtues is an indelible, infallible touch with character, which is important because in Ultron he has to introduce them at a furious rate.
At this point the Marvel superhero movies are as machine-tooled as a Prius, and this one sticks closely to the blueprint that's made them box office titans.
The performances are so well-pitched in The Avengers, meshing with such vividness and ease, that it's tempting to overpraise the good but not great movie that surrounds them.
The sharp, interpersonal dramedy that made the first movie such a delight is again present in flashes, but not infrequently it is drowned out by the noisy, inevitable need to Save the World.
Thin on story, crowded with characters and padded with extraneous action. In other words, a sure hit!
An entertaining package of characters and ideas that manages to be a whole lot more than the first film while also being a little bit less.
The Avengers has a knockout final 30 minutes, all gee-whiz crash and bang and eye candy that makes grand use of 3D and IMAX and all the other toys. But the Transformers movies did that, too.
All hail Joss Whedon, the warrior king of this dizzying, dazzling 3D action epic. The Avengers is Transformers with a brain, a heart and a working sense of humor.
It has a definite mid-season feel to it, telling a compelling but never game-changing story while laying the foundations for the epic, two-part Infinity War due in 2018.
Writing and directing "Avengers: Age of Ultron," Joss Whedon proves he has a superpower of his own: mediocrity.
You can sense that Mr. Whedon, having helped build a universal earnings machine with the first "Avengers," has now struggled mightily, touchingly, to invest this behemoth with some life.
A spectacle in the grandest sense of the word .
The movie's action sequences and sequel-baiting suck up much of its oxygen, and the magnitude of battles dwarf the smaller moments.
A slickly packaged, effects-driven smashup.
. the filmmakers behind The Avengers attack their task of creating a comic book superhero epic with not just conviction, but something almost resembling panache.
A middling film, yet it's so heavy with Joss Whedon's sweat that it never feels like a lazy cash-in -- which for a preordained summer megahit is an accomplishment.
Tasked with meeting the many requirements necessary for any Avengers movie to work, Whedon checks off all the boxes, then sets about creating new expectations for what a big superhero movie ought to be.
Most of these characters are great fun, and there are still stories to tell. So why not do it, instead of telling and retelling the same tale, only bigger?
Biff! Bam! Boring!
The amazing thing about Avengers: Age of Ultron is that it's reasonably enjoyable while feeling less like a movie than an epic sowing of seeds for multiple Marvel properties.
It would be silly to pretend that Avengers: Age of Ultron isn't good at what it does, that it's not proficient at delivering superhero thrills for those who crave them most.
If this is what the apotheosis of branded, big-studio entertainment has come to look like in 2015, we could be doing much worse. Unlike its title character, "Age of Ultron" most definitely has soul.
Like a superior, state-of-the-art model built from reconstituted parts, Joss Whedon's buoyant, witty and robustly entertaining superhero smash-up is escapism of a sophisticated order.
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